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Film Analysis: Sleaford Mods' Jason Williamson Assumes Role in Critical Look at Ecstasy Generation Era

Produced by Portishead co-founder the musician-producer, this sharp-edged if slight first film casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Duel

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single important plot development, but it leads to a hilariously staged rampage on the woodland paths that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film releases in UK and Irish theaters from 17 November.

Written by

Jacqueline Hamilton

A technology journalist and digital strategist with over a decade of experience covering emerging tech trends and innovations.

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